Since 2010 we have witnessed new ways of assembling, which have
made the word "democracy" sound important again. These practices
may not have led to the political changes we had hoped for.
Nevertheless, we are convinced of their importance. This book wants
to acknowledge them as a starting point for a new art of being
many: The "many" invoke new concepts of collectivity by
renegotiating their modes of participation and (self-)presentation
and by rewriting rhetorical, choreographical, and material scripts
of assembling. This volume is inspired and informed by the
square-occupations and neighborhood assemblies of the "real
democracy" movements as well as by recent explorations of the
assembly form in performance art and participatory theatre.
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