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The Inspiration Motif in the Works of Franz Grillparzer - With special consideration of 'Libussa' (Paperback, 1955 ed.)
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The Inspiration Motif in the Works of Franz Grillparzer - With special consideration of 'Libussa' (Paperback, 1955 ed.)
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Franz Grillparzer was not a man of extravagance either in phrase or
conduct. His life as an individual and artist is marked by a
reticence, an aversion to the unveiling of the inner SOul,1 that is
perhaps best matched by the concise style and expression of his
works. This art of effective restraint is particularly visible in
the dramas where often a single word or indeed an utter silence
carries the greatest emotional impact. There is an absolute lack of
sound and fury signifying nothing; even in the frenzy of
inspiration 2 Grillparzer carefully chooses words that best convey
his thoughts and for purely emotional release he turns to another
medium which he sharply distinguished from poetry: to music. If
this poet then who knows no empty phrases applies terms like
'betrothed of the gods',3 'mother of all greatness',4 'mighty 5
lever of the universe', 'messenger of divine happiness'6 to one and
the same concept at different times, we may assume that he here
expresses something deeply anchored in his being. And indeed, the
motif of concentration ('Sammlung') and inspiration
('Begeisterung') is one that we meet again and again in the poetry,
the diaries and the dramas. This emotional state is at all times
highly revered and greatly sought by the poet - it is, in fact,
made a condition of creative productivity and, as the years pass,
finally develops into a condition of life itself in the prophecy of
'Libussa'.
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