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Buddhist Iconography and Ritual in Paintings and Line Drawings from Nepal (Paperback)
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Buddhist Iconography and Ritual in Paintings and Line Drawings from Nepal (Paperback)
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This book is divided into three sections. The first section
introduces one specific tradition of Siddhas transmitted by artists
from Nepal. This artistic legacy, which is related to a corpus of
texts that go back through *Srisena and Bu ston, includes two
paintings and an incomplete set of line drawings. One of the
paintings is an early-sixteenth-century "paubha" of Vajradhara
surrounded by the eighty-four Siddhas (now preserved in the
National Art Gallery, Bhaktapur). The set of line drawings of
originally all eighty-four Siddhas (now in the Los Angeles County
Museum of Art) goes back to the seventeenth century. On the basis
of a comparison of the portraits of the eighty-four Siddhas in the
painting from Bhaktapur (which provides the Siddhas' names) and the
line drawing (which also label the Siddhas) it is suggested that
the eighty-two Siddhas surrounding the Siddha Virupa in the other
Nepalese painting, from the second quarter of the thirteenth
century, which is now part of the Kronos Collections of S.M.
Kossak, New York, are part of the same tradition. The Siddhas in
this well-known and frequently reproduced painting have so far
remained unidentified since their names are not inscribed in the
painting. The second section of the book focuses on lesser known
manifestations of (Cakra)samvara, a form of Heruka, and includes a
discussion and reproduction of images of two groups of Samvaras.
The first document is a painted scroll showing the group of
sixty-four Samvaras with their consorts; the second one is a set of
line drawings of what appears to be another group of Samvaras
(thirty-six in number) with their consorts. The last section
presents a set of line drawings which is based on a section of the
"parikramavidhi" found in chapter 6 of Kuladatta's
Kriyasamgraha(panjika). This text is an important Tantric manual
which has been particularly influential in Nepal and whose author
may even have been of Nepalese origin. The set of line drawings,
which dates from approximately the eighteenth century, illustrates
the ritual of walking around the site of a mandala. The line
drawings are of great interest for the study of Buddhist ritual,
since they illustrate a large number of stances, sitting postures
and hand gestures described in the Kriyasamgraha(panjika) but whose
names are nor recorded in standard reference works on iconography.
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