'The plane of immanence is entirely made up of Light', Deleuze
writes in Cinema 1: The Movement-Image. Engaging the whole body of
Deleuze's work, including less rehearsed texts such as The Actual
and the Virtual, Lucretius and the Simulacrum and his lectures on
Spinoza, Hanjo Berressem traces the 'line of light' that runs
through Deleuze's thought. The focus on the philosophical luminism
that suffuses Deleuze's work delivers a novel reading of Deleuzian
philosophy from the perspective of the complementarity of the
photon. Berressem reveals a wealth of surprising and brilliant
insights for anyone with an interest in Deleuze and in the
implications of Deleuze's philosophical photonics for
historiography, literary studies, painting and film.
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