Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
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Guilty Pleasures - Popular Novels and American Audiences in the Long Nineteenth Century (Paperback)
Loot Price: R772
Discovery Miles 7 720
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Guilty Pleasures - Popular Novels and American Audiences in the Long Nineteenth Century (Paperback)
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Total price: R782
Discovery Miles: 7 820
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Guilty pleasures in one's reading habits are nothing new.
Late-nineteenth-century American literary culture even championed
the idea that popular novels need not be great. Best-selling novels
arrived in the public sphere as at once beloved and contested
objects, an ambivalence that reflected and informed America's
cultural insecurity. This became a matter of nationhood as well as
aesthetics: the amateurism of popular narratives resonated with the
discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh
examines reactions to best-selling fiction in the United States
from 1850 to 1920, including reader response to such best-sellers
as Uncle Tom's Cabin, Ben Hur, and Trilby as well as fictional
representations-from Trollope to Baldwin-of American culture's lack
of artistic greatness. Drawing on a transatlantic archive of
contemporary criticism, urban display, parody, and advertising,
Guilty Pleasures thoroughly documents how the conflicted attitude
toward popular novels shaped these ephemeral modes of response.
Paying close attention to this material history of novel reading,
McIntosh reveals how popular fiction's unique status as socially
saturating and aesthetically questionable inspired public
reflection on what it meant to belong to a flawed national
community.
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