Drawing on plays by Shakespeare, Sarah Kane, Sophocles, Samuel
Beckett, and others, this book examines the ways in which these
dramatists manipulated the actor's body to demand laughter and/or
sympathy. Ian Burrows shows how these strategies can be thought
about beyond the stage-space: in the classroom, in the media, and
in relation to the social construction of 'snowflake culture' as a
21st century phenomenon.
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