As the distinctive contribution of Islamic Spain to Arabic
literature, the strophic muwashshahand zajal are still viewed by
some as a development from putative Romance prototypes. No less
than seven theories of origin of the Provencal lyrics have been
proffered, foremost among them being the Arabic origins theory.
This book lets the strophic muwashshah tell its own tale of a
natural development in the context of classical Arabic literature.
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