Constance Lindsay Skinner made a living as a writer at a time
when few men, and fewer women, managed the feat. Born in 1877 on
the British Columbia frontier, she worked as a journalist in
Vancouver, Los Angeles, and Chicago, before moving to New York City
in 1912, where she supported herself by her pen until her death in
1939. Despite a prolific output - poetry, plays, short stories,
histories, reviews, adult and children's novels - and in contrast
to her reputation in the United States, she remains virtually
unknown in the country of her birth.
Reconstructing Constance Lindsay Skinner's writing life from her
papers in the New York Public Library and from her publications,
Jean Barman argues for three bases to her success. As well as a
capacity to respond to market forces by moving between genres, she
possessed an aura of authenticity by virtue of her Canadian
frontier heritage. As a literary device, the frontier gave a
freedom to tackle contentious issues of Aboriginal and hybrid
identities, gender and sexuality, that might otherwise have been
far more difficult to get into print. Third, and very important,
was her willingness to subordinate a private self to the life of
the imagination.
Barman ponders Constance Lindsay Skinner's absence from the
Canadian literary canon. She mixed with such twentieth-century
personalities as Jack London, Harriet Monroe, Frederick Jackson
Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and
Margaret Mitchell, yet was unrecognized in her own country. Her sex
mattered, just as it did for fellow Canadian women writers. So did
her facility at multiple genres, a talent that, even as it made
possible a writing life, prevented her from achieving a major
breakthrough in any one of them. Perhaps most responsible was her
identification with the frontier of a nation whose centre long
shaped literary matters in its own image. "Constance Lindsay
Skinner" makes a significant contribution to Canadian and American
history and to literary and gender studies.
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