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The Ordinary Man of Cinema (Paperback)
Loot Price: R339
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The Ordinary Man of Cinema (Paperback)
Series: Semiotext(e) / Foreign Agents
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List price R447
Loot Price R339
Discovery Miles 3 390
You Save R108 (24%)
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The first English translation of a foundational work in cinema
studies and the philosophy of film. When it was first published in
French in 1980, The Ordinary Man of Cinema signaled a shift from
the French film criticism of the 1960s to a new breed of film
philosophy that disregarded the semiotics and post-structuralism of
the preceding decades. Schefer describes the schizophrenic
subjectivity the cinema offers us: the film as a work projected
without memory, viewed by (and thereby lived by) a subject scarred
and shaped by memory. The Ordinary Man of Cinema delineates the
phenomenology of movie-going and the fleeting, impalpable zone in
which an individual's personal memory confronts the cinema's
ideological images to create a new way of thinking. It is also a
book replete with mummies and vampires, tyrants and prostitutes,
murderers and freaks-figures that are fundamental to Schefer's
conception of the cinema, because the worlds that cinema traverses
(our worlds, interior and exterior) are worlds of pain, unconscious
desire, decay, repressed violence, and the endless mystery of the
body. Fear and pleasure breed monsters, and such are what Schefer's
emblematic "ordinary man" seeks and encounters when engaging in the
disordering of the ordinary that the movie theater offers him.
Among other things, Schefer considers "The Gods" in 31 brief essays
on film stills and "The Criminal Life" with reflections on
spectatorship and autobiography. While Schefer's book has long been
standard reading in French film scholarship, until now it has been
something of a missing link to the field (and more broadly, French
theory) in English. It is one of the building blocks of more widely
known and read translations of Gilles Deleuze (who cited this book
as an influence on his own cinema books) and Jacques Ranciere.
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