The second in a unique series of anthologies which collects key
writings by and on the most significant artists in contemporary
culture. Influencing a whole generation of artists, musicians and
theorists, since the late 1970s Christian Marclay has explored the
interplay between sound, audio cultures and art across a diversity
of media: performance, sculpture, photography, collage, musical
composition, film, video and installation. Born in 1955, Marclay
first became internationally known in the 1980s for his sculptures
and reassembled readymades generated from evocative materials such
as fragmented vinyl records or album covers. His ambitious
multi-screen installations such as Video Quartet (2002), Crossfire
(2007) and The Clock (2010) have entranced audiences into
contemplating the complexities of time and narrative and the role
of sound in their experience and representation. Marclay has also
collaborated musically with Shelley Hirsch, the Kronos Quartet,
Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many
others. Edited by curator and critic Jean-Pierre Criqui, this
volume brings together the artist's statements and conversations
with Bice Curiger, Jan Estep, Russell Ferguson, Kim Gordon, Douglas
Kahn, Frances Richard, Philip Sherburne, Michael Snow, Lars
Soederkvist, David Toop and Philip von Zweck. Writings on all
aspects of Marclay's work are provided by Clement Cheroux, Dennis
Cooper, Christoph Cox, Jean-Pierre Criqui, Noam M. Elcott, Russell
Ferguson, Douglas Kahn, Rahma Khazam, Wayne Koestenbaum, Rosalind
Krauss, Thomas Y. Levin, Tom Morton, Ingrid Schaffner, Olivier
Schefer, Zadie Smith, David Toop and Rob Young.
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