To what extent has the growing popular demand for a vicarious
experience of other cultures fueled the expectation that the most
important task for regional and ethnic writers is to capture and
convey authentic cultural material to their readers? In The Romance
of Authenticity, Jeff Karem argues that, in contrast to prevailing
assumptions that authenticity should be prized as a goal of
regional and ethnic literatures, it is in fact a dangerously
restrictive category of literary judgment. He draws on a large body
of archival evidence to show how intense political and economic
interests have determined what literary representations are deemed
authentic, not only constraining what such writers can publish but
also limiting the ways in which their works are interpreted.
The author specifically discusses the work of William Faulkner,
Richard Wright, Ernest Gaines, Rolando Hinojosa, and Leslie Marmon
Silko. Exploring these writers' different responses to the
expectation that they act as cultural representatives of the
Southern, Southwestern, African American, Latino, or Native
American experience, Karem finds that some refuse that role and
others embrace it. The Romance of Authenticity concludes that
despite the celebration of hybridity in contemporary theories of
identity, the politics of cultural authenticity in publishing and
criticism produce precisely the opposite effect, reducing regional
and ethnic writers to exotic objects of desire.
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