Scholars consider sound and its concepts, taking as their premise
the idea that popular culture can be analyzed in an innovative way
through sound. The wide-ranging texts in this book take as their
premise the idea that sound is a subject through which popular
culture can be analyzed in an innovative way. From an infant's
gurgles over a baby monitor to the roar of the crowd in a stadium
to the sub-bass frequencies produced by sound systems in the disco
era, sound-not necessarily aestheticized as music-is inextricably
part of the many domains of popular culture. Expanding the view
taken by many scholars of cultural studies, the contributors
consider cultural practices concerning sound not merely as semiotic
or signifying processes but as material, physical, perceptual, and
sensory processes that integrate a multitude of cultural traditions
and forms of knowledge. The chapters discuss conceptual issues as
well as terminologies and research methods; analyze historical and
contemporary case studies of listening in various sound cultures;
and consider the ways contemporary practices of sound generation
are applied in the diverse fields in which sounds are produced,
mastered, distorted, processed, or enhanced. The chapters are not
only about sound; they offer a study through sound-echoes from the
past, resonances of the present, and the contradictions and
discontinuities that suggest the future. Contributors Karin
Bijsterveld, Susanne Binas-Preisendoerfer, Carolyn Birdsall, Jochen
Bonz, Michael Bull, Thomas Burkhalter, Mark J. Butler, Diedrich
Diederichsen, Veit Erlmann, Franco Fabbri, Golo Foellmer, Marta
Garcia Quinones, Mark Grimshaw, Rolf Grossmann, Maria Hanacek,
Thomas Hecken, Anahid Kassabian, Carla J. Maier, Andrea Mihm, Bodo
Mrozek, Carlo Nardi, Jens Gerrit Papenburg, Thomas Schopp, Holger
Schulze, Toby Seay, Jacob Smith, Paul Theberge, Peter Wicke, Simon
Zagorski-Thomas
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