Distinguished ethnomusicologist Philip V. Bohlman compiles Johann
Gottfried Herder's writings on music and nationalism, from his
early volumes of Volkslieder through sacred song to the essays on
aesthetics late in his life, shaping them as the book on music that
Herder would have written had he gathered the many strands of his
musical thought into a single publication. Framed by analytical
chapters and extensive introductions to each translation, this book
interprets Herder's musings on music to think through several major
questions: What meaning did religion and religious thought have for
Herder? Why do the nation and nationalism acquire musical
dimensions at the confluence of aesthetics and religious thought?
How did his aesthetic and musical thought come to transform the way
Herder understood music and nationalism and their presence in
global history? Bohlman uses the mode of translation to explore
Herder's own interpretive practice as a translator of languages and
cultures, providing today's readers with an elegantly narrated and
exceptionally curated collection of essays on music by two major
intellectuals.
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