John Marciari tells the story of the monuments, artists and patrons
of Renaissance Rome in this compelling book. In no other city is
the ancient world so palpably present, and nowhere else is the
mission of the church so evident. At the same time as the humanists
sought to preserve and recreate the ancient city, giving it a new
lease of life, the popes dispensed patronage much as any other
contemporary Italian ruler. Rome was also the most international of
the Renaissance cities with artists and architects generally
training elsewhere before arriving in the city and introducing new
trends. By adopting a chronological structure, covering the period
c.1300-1600, Marciari is able to explore the nature of Roman
patronage as it differed from papacy to papacy. He examines the
city's extraordinary works of art in the context of the working
practices, competition and rivalries that made Renaissance Rome so
magnificent.
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