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Photography and Its Violations (Hardcover)
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Photography and Its Violations (Hardcover)
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts
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Theorists critique photography for "objectifying" its subjects and
manipulating appearances for the sake of art. In this bold
counterargument, John Roberts recasts photography's violating
powers of disclosure and aesthetic technique as part of a complex
"social ontology" that exposes the hierarchies, divisions, and
exclusions behind appearances. The photographer must "arrive
unannounced" and "get in the way of the world," Roberts argues,
committing photography to the truth-claims of the spectator over
the self-interests and sensitivities of the subject. Yet even
though the violating capacity of the photograph results from
external power relations, the photographer is still faced with an
ethical choice: whether to advance photography's truth-claims on
the basis of these powers or to diminish or veil these powers to
protect the integrity of the subject. Photography's acts of
intrusion and destabilization, then, constantly test the
photographer at the point of production, in the darkroom, and at
the computer, especially in our 24-hour digital image culture. In
this game-changing work, Roberts refunctions photography's place in
the world, politically and theoretically restoring its reputation
as a truth-producing medium.
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