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Singing with Angels - Liturgy, Music, and Art in the Gradual of Gisela Von Kerssenbrock (Hardcover)
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Singing with Angels - Liturgy, Music, and Art in the Gradual of Gisela Von Kerssenbrock (Hardcover)
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A prized possession of the Cistercian convent of Marienbrunn in
Rulle near Osnabruck in northern Germany was its richly illuminated
gradual dating to c. 1300, which is of great significance in the
history of medieval art for several reasons. With 52 historiated
initials iconographically complex in their literary quotations from
the liturgy, the manuscript ranks as one of the most lavishly
decorated books of its type to survive. Painted in an elegant
courtly Gothic style, it is ascribed in a prefatory inscription to
the nun Gisela von Kersenbroeck, who wrote, notated, and decorated
the manuscript "with golden letters and beautiful images." Such an
encyclopedic listing of a scribe-artist's labors is unparalleled in
medieval scribal colophons. The high quality of the miniatures
ranks her among the most gifted women artists of the Middle Ages.
Gisela is depicted in two self-portraits within the manuscript, in
one of which she is leading the nuns of Rulle in singing the
Christmas hymn, visual evidence that she was the choirmistress at
this convent. The manuscript's images reflect the intellectual
ambience of encloistered nuns who were steeped in the annual
liturgical cycle of feasts with its associated bible readings,
theological commentary, sermons, music, dramatic ritual, and
artistic decoration. As it was used in the nuns' daily celebration
of the mass, the book is an eloquent witness of the communal
religious life of medieval women rather than their private
meditations or mystical experiences.This study explores the imagery
and texts associated with major feasts of the liturgical year and
the novel ways in which music and text are woven into the artistic
program of Gisela's manuscript. In particular, her book shows the
seminal importance of the Easter celebration for convent life, as
well over half of its illustrations are clustered in the Easter
season; and the manuscript repeatedly gives artistic expression to
the nuns' hopes of heaven.
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