An exploration of walking and mapping as both form and content in
art projects using old and new technologies, shoe leather and GPS.
From Guy Debord in the early 1950s to Richard Long, Janet Cardiff,
and Esther Polak more recently, contemporary artists have returned
again and again to the walking motif. Today, the convergence of
global networks, online databases, and new tools for mobile mapping
coincides with a resurgence of interest in walking as an art form.
In Walking and Mapping, Karen O'Rourke explores a series of
walking/mapping projects by contemporary artists. She offers close
readings of these projects-many of which she was able to experience
firsthand-and situates them in relation to landmark works from the
past half-century. Together, they form a new entity, a dynamic
whole greater than the sum of its parts. By alternating close study
of selected projects with a broader view of their place in a bigger
picture, Walking and Mapping itself maps a complex phenomenon.
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