Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and the Comedy of Enchantment (Hardcover)
Loot Price: R2,886
Discovery Miles 28 860
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Shakespeare and the Comedy of Enchantment (Hardcover)
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Shakespeare and the Comedy of Enchantment argues that enchantment
constitutes a key emotional and intellectual dimension of
Shakespeare's comedies. It thus makes a new claim about the
rejuvenating value of comedy for individuals and society.
Shakespeare's comedies orchestrate ongoing encounters between the
rational and the mysterious, between doubt and fascination, with
feelings moved by elements of enchantment that also seem a little
ridiculous. In such a drama, lines of causality become complex, and
even satisfying endings leave certain matters incomplete and
contingent-openings for scrutiny and thought. In addressing
enchantment, the book takes exception to the modernist vision of a
deterministic 'disenchanted' world. As Shakespeare's action
advances, comic mysteries accrue-uncanny coincidences; magical
sympathies; inexplicable repetitions; psychic influences; and
puzzlements about the meaning of events-all of whose numinous
effects linger ambiguously after reason has apparently answered the
play's questions. Separate chapters explore the devices, tropes,
and motifs of enchantment: magical clowns who alter the action
through stop-time interludes; structural repetitions that suggest
mysteriously converging, even opaquely providential destinies;
locales that oppose magical and protean forces to regulatory and
quotidian values; desires, thoughts, and utterances that 'manifest'
comically monstrous events; characters who return from the dead,
facilitated by the desires of the living; play-endings crossed by
harmony and dissonance, with moments of wonder that make possible
the mysterious action of forgiveness. Wonder and wondering in
Shakespeare's and other comedies, it emerges, become the conditions
for new possibilities. Chapters refer extensively to early modern
history, Renaissance and modern theories of comedy, treatises on
magical science, and contemporaneous Italian and Tudor comedy.
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