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My Body Was Left on the Street - Music Education and Displacement (Hardcover) Loot Price: R3,530
Discovery Miles 35 300
My Body Was Left on the Street - Music Education and Displacement (Hardcover): Kinh Vu, Andre de Quadros

My Body Was Left on the Street - Music Education and Displacement (Hardcover)

Kinh Vu, Andre de Quadros

Series: Innovations and Controversies: Interrogating Educational Change, 10

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Loot Price R3,530 Discovery Miles 35 300 | Repayment Terms: R331 pm x 12*

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Displacement, relocation, dissociation: each of these terms elicits images of mass migration, homelessness, statelessness, or outsiderness of many kinds, too numerous to name. This book aims to create opportunities for scholars, practitioners, and silenced voices to share theories and stories of progressive and transgressive music pedagogies that challenge the ways music educators and learners think about and practice their arts relative to displacement. Displacement is defined as encompassing all those who have been forced away from their locations by political, social, economic, climate, and resource change, injustice, and insecurity. This includes: - refugees and internally displaced persons; - forced migrants; - indigenous communities who have been forced off their traditional lands; - people who have fled homes because of their gender identity and sexual orientation; - imprisoned individuals; - persons who seek refuge for reasons of domestic and social violence; - homeless persons and others who live in transient spaces; - the disabled, who are relocated involuntarily; and - the culturally dispossessed, whose languages and heritage have been taken away from them. In the context of the first ever book on displacement and music education, the authors connect displacement to what music might become to those peoples who find themselves between spaces, parted from the familiar and the familial. Through, in, and because of a variety of musical participations, they contend that displaced peoples might find comfort, inclusion, and welcome of some kinds either in making new music or remembering and reconfiguring past musical experiences. Contributors are: #4459, Efi Averof Michailidou, Kat Bawden, Rachel Beckles Willson, Marie Bejstam, Rhoda Bernard, Michele Cantoni, Mary L. Cohen, Wayland "X" Coleman, Samantha Dieckmann, Irene (Peace) Ebhohon, Con Fullam, Erin Guinup, Micah Hendler, Hala Jaber, Shaylene Johnson, Arsene Kapikian, Tou SaiKo Lee, Sarah Mandie, David Nnadi, Marcia Ostashewski, Ulrike Prager, Q, Kate Richards Geller, Charlotte Rider, Matt Sakakeeny, Tim Seelig, Katherine Seybert, Brian Sullivan, Mathilde Vittu, Derrick Washington, Henriette Weber, Mai Yang Xiong, Keng Chris Yang, and Nelli Yurina.

General

Imprint: Brill
Country of origin: Netherlands
Series: Innovations and Controversies: Interrogating Educational Change, 10
Release date: July 2020
First published: 2020
Volume editors: Kinh Vu • Andre de Quadros
Dimensions: 235 x 155mm (L x W)
Format: Hardcover
Pages: 308
ISBN-13: 978-90-04-41589-8
Categories: Books > Arts & Architecture > Music > General
Books > Social sciences > Education > Philosophy of education
Books > Social sciences > Education > Teaching of a specific subject
Books > Social sciences > Sociology, social studies > Population & demography > Immigration & emigration
Books > Social sciences > Education > Organization & management of education > General
Books > Social sciences > Education > Higher & further education > General
Books > Music > General
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LSN: 90-04-41589-0
Barcode: 9789004415898

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