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Virtuosi Abroad - Soviet Music and Imperial Competition during the Early Cold War, 1945–1958 (Hardcover)
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Virtuosi Abroad - Soviet Music and Imperial Competition during the Early Cold War, 1945–1958 (Hardcover)
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In the 1940s and 1950s, Soviet musicians and ensembles were
acclaimed across the globe. They toured the world, wowing critics
and audiences, projecting an image of the USSR as a sophisticated
promoter of cultural and artistic excellence. In Virtuosi Abroad,
Kiril Tomoff focuses on music and the Soviet Union's star musicians
to explore the dynamics of the cultural Cold War. He views the
competition in the cultural sphere as part of the ongoing U.S. and
Soviet efforts to integrate the rest of the world into their
respective imperial projects.Tomoff argues that the spectacular
Soviet successes in the system of international music competitions,
taken together with the rapturous receptions accorded touring
musicians, helped to persuade the Soviet leadership of the
superiority of their system. This, combined with the historical
triumphalism central to the Marxist-Leninist worldview, led to
confidence that the USSR would be the inevitable winner in the
global competition with the United States. Successes masked the
fact that the very conditions that made them possible depended on a
quiet process by which the USSR began to participate in an
international legal and economic system dominated by the United
States. Once the Soviet leadership transposed its talk of system
superiority to the economic sphere, focusing in particular on
consumer goods and popular culture, it had entered a competition
that it could not win.
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