"Child of the Fire" is the first book-length examination of the
career of the nineteenth-century artist Mary Edmonia Lewis, best
known for her sculptures inspired by historical and biblical
themes. Throughout this richly illustrated study, Kirsten Pai Buick
investigates how Lewis and her work were perceived, and their
meanings manipulated, by others and the sculptor herself. She
argues against the racialist art discourse that has long cast
Lewis's sculptures as reflections of her identity as an African
American and Native American woman who lived most of her life
abroad. Instead, by seeking to reveal Lewis's intentions through
analyses of her career and artwork, Buick illuminates Lewis's
fraught but active participation in the creation of a distinct
"American" national art, one dominated by themes of indigeneity,
sentimentality, gender, and race. In so doing, she shows that the
sculptor variously complicated and facilitated the dominant
ideologies of the vanishing American (the notion that Native
Americans were a dying race), sentimentality, and true womanhood.
Buick considers the institutions and people that supported
Lewis's career--including Oberlin College, abolitionists in Boston,
and American expatriates in Italy--and she explores how their
agendas affected the way they perceived and described the artist.
Analyzing four of Lewis's most popular sculptures, each created
between 1866 and 1876, Buick discusses interpretations of Hiawatha
in terms of the cultural impact of Henry Wadsworth Longfellow's
epic poem "The Song of Hiawatha"; "Forever Free "and" Hagar in the
Wilderness" in light of art historians' assumptions that artworks
created by African American artists necessarily reflect African
American themes; and "The Death of Cleopatra" in relation to
broader problems of reading art as a reflection of identity.
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