0
Your cart

Your cart is empty

Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture

Buy Now

Child of the Fire - Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject (Paperback) Loot Price: R665
Discovery Miles 6 650
You Save: R49 (7%)
Child of the Fire - Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject (Paperback): Kirsten Buick

Child of the Fire - Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject (Paperback)

Kirsten Buick

 (sign in to rate)
List price R714 Loot Price R665 Discovery Miles 6 650 | Repayment Terms: R62 pm x 12* You Save R49 (7%)

Bookmark and Share

Expected to ship within 12 - 17 working days

"Child of the Fire" is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis's sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis's intentions through analyses of her career and artwork, Buick illuminates Lewis's fraught but active participation in the creation of a distinct "American" national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.

Buick considers the institutions and people that supported Lewis's career--including Oberlin College, abolitionists in Boston, and American expatriates in Italy--and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis's most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow's epic poem "The Song of Hiawatha"; "Forever Free "and" Hagar in the Wilderness" in light of art historians' assumptions that artworks created by African American artists necessarily reflect African American themes; and "The Death of Cleopatra" in relation to broader problems of reading art as a reflection of identity.

General

Imprint: Duke University Press
Country of origin: United States
Release date: February 2010
First published: February 2010
Authors: Kirsten Buick
Dimensions: 238 x 159 x 23mm (L x W x T)
Format: Paperback - Trade
Pages: 344
ISBN-13: 978-0-8223-4266-3
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
LSN: 0-8223-4266-9
Barcode: 9780822342663

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners