Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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The Making of the Artist in Late Timurid Painting (Hardcover)
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The Making of the Artist in Late Timurid Painting (Hardcover)
Series: Edinburgh Studies in Islamic Art
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In the absence of a tradition of self-portraiture, how could
artists signal their presence within a painting? Centred on late
Timurid manuscript painting (ca. 1470-1500), this book reveals that
pictures could function as the painter's delegate, charged with the
task of centring and defining artistic work, even as they did not
represent the artist's likeness. Influenced by the culture of the
majlis, an institutional gathering devoted to intricate literary
performances and debates, late Timurid painters used a number of
strategies to shift manuscript painting from an illustrative device
to a self-reflective object, designed to highlight the artist's
imagination and manual dexterity. These strategies include visual
abundance, linear precision, the incorporation of inscriptions
addressing aspects of the painting and the artist's signature.
Focusing on one of the most iconic manuscripts of the Persianate
tradition, the Cairo Bustan made in late Timurid Herat and bearing
the signatures of the painter Bihzad, this book explores Persian
manuscript painting as a medium for artistic performance and
self-representation, a process by which artistic authority was
shaped and discussed.
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