The book attempts a fundamental conceptualization of an epoch in
musical history that has received relatively little attention and
is usually referred to with makeshift designations like "Sturm und
Drang" borrowed from other disciplines. The studies draw on
numerous new sources and are limited to the situation in Northern
and Central Germany. They take account of the socio-historical
context, new aesthetic paradigms and the direct connection between
these and the history of composition. Analyses are made of
individual works and typical genre features (Telemann, C.P.E. Bach,
Rolle, Gluck etc.).
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