In the summer of 1970, the artist Les Levine arrived at the
University of Toronto to take part in the installation of
site-specific work on the quadrangle in front of the University's
Hart House. The intended piece-construction materials hung from
high-tension rope between campus buildings-was quickly stymied as
Levine encountered a series of bureaucratic impediments on the part
of the University staff. What ensued was played into the conceptual
conceit the artist had envisioned for the project. By collating the
correspondence, telephone transcripts, and visual documentation of
the eventual installation process, Levine used the work to
demonstrate how the university itself functioned as a system. Red
Tape publishes this project, which had existed only as a dossier in
the artist's archive, for the first time. ?Red Tape is being
published on the occasion of the exhibition "Les Levine: Bio-Tech
Rehearsals 1965-1975," curated by Felicity D. Scott and Mark
Wasiuta, at Columbia University's Arthur Ross Architecture Gallery.
General
Imprint: |
Columbia Books on Architecture and the City
|
Country of origin: |
United States |
Release date: |
February 2016 |
Authors: |
Les Levine
|
Dimensions: |
216 x 158 x 9mm (L x W x T) |
Format: |
Paperback
|
Pages: |
128 |
ISBN-13: |
978-1-941332-25-2 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
|
LSN: |
1-941332-25-0 |
Barcode: |
9781941332252 |
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