This book offers a fresh discussion of the methodology of music
historiography. So far historiographical methodology has always
depended on other fields within humanities (especially on history)
to a degree where it moved the focus of its thought away from the
musical work's structure and away from the musical work itself.
Musical Modernism in the Twentieth Century looks at musical
structures in its cultural context, using different methodological
models for the interpretation of the subsequent phases of the
twentieth-century musical modernism.
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