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"Taken by the Devil" - The Censorship of Frank Wedekind and Alban Berg's Lulu (Hardcover)
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"Taken by the Devil" - The Censorship of Frank Wedekind and Alban Berg's Lulu (Hardcover)
Series: AMS Studies in Music
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Censorship had an extraordinary impact on Alban Berg's operaLulu,
composed by the Austrian during the politically tumultuous years
spanning 1929 to 1935. Based on plays by Frank Wedekind that were
repeatedly banned from being published and performed from1894 until
the end of World War I, the libretto was in turn censored by Berg
himself when he characterized it as a morality play after
submitting it to authorities in Nazi Germany in 1934. After Berg
died the next year, the third act was censored by his widow,
Helene, and his former teacher, Arnold Schoenberg. In "Taken by the
Devil", author Margaret Notley uncovers the unusual and uniquely
generative role of censorship throughout the lifecycle of Berg's
great opera. Placing the opera and its source material in wider
cultural contexts, Notley provides close readings of the opera's
libretto and score to reveal techniques employed by the composer
and by Wedekind before him in negotiating censorship. She also
explores ways in which Berg chose to augment discrepancies between
the plays rather than flatten them as in certain performances of
the plays during the 1920s, adding further dimensions of
interpretation to the work. Elegantly readable,"Taken by the
Devil"is one of the most meticulously researched and nuanced
studies of Lulu to date, and illuminates the process of
politically-driven censorship of theater, music, and the arts
during the tumultuous early twentieth century.
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