Contemporary artists such as Ghada Amer and Clare Twomey have
gained international reputations for work that transforms ordinary
craft media and processes into extraordinary conceptual art, from
Amer's monumental stitched paintings to Twomey's large,
ceramics-based installations. Despite the amount of attention that
curators and gallery owners have paid to these and many other
conceptual artists who incorporate craft into their work, few art
critics or scholars have explored the historical or conceptual
significance of craft in contemporary art. "Extra/Ordinary" takes
up that task. Reflecting on what craft has come to mean in recent
decades, artists, critics, curators, and scholars develop theories
of craft in relation to art, chronicle how fine-art institutions
understand and exhibit craft media, and offer accounts of activist
crafting, or craftivism. Some contributors describe generational
and institutional changes under way, while others signal new
directions for scholarship, considering craft in relation to queer
theory, masculinity, and science. Encompassing quilts, ceramics,
letterpress books, wallpaper, and textiles, and moving from
well-known museums to home workshops and political protests,
"Extra/Ordinary" is an eclectic introduction to the "craft culture"
referenced and celebrated by artists promoting new ways of thinking
about the role of craft in contemporary art.
"Contributors." Elissa Auther, Anthea Black, Betty Bright,
Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello,
Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula
Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson,
Dennis Stevens, Margaret Wertheim
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