Recent studies in early modern cultural bibliography have put
forth a radically new Shakespeare--a man of keen literary ambition
who wrote for page as well as stage. His work thus comes to be
viewed as textual property and a material object not only seen
theatrically but also bought, read, collected, annotated, copied,
and otherwise passed through human hands. This Shakespeare was
invented in large part by the stationers--publishers, printers, and
booksellers--who produced and distributed his texts in the form of
books. Yet Shakespeare's stationers have not received sustained
critical attention.Edited by Marta Straznicky, "Shakespeare's
Stationers: Studies in Cultural Bibliography" shifts Shakespearean
textual scholarship toward a new focus on the earliest publishers
and booksellers of Shakespeare's texts. This seminal collection is
the first to explore the multiple and intersecting forms of agency
exercised by Shakespeare's stationers in the design, production,
marketing, and dissemination of his printed works. Nine critical
studies examine the ways in which commerce intersected with culture
and how individual stationers engaged in a range of cultural
functions and political movements through their business practices.
Two appendices, cataloguing the imprints of Shakespeare's texts to
1640 and providing forty additional stationer profiles, extend the
volume's reach well beyond the case studies, offering a foundation
for further research.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!