Budapest at the fin de siecle was famed and emulated for its
cosmopolitan urban culture and nightlife. It was also the
second-largest Jewish city in Europe. Mary Gluck delves into the
popular culture of Budapest's coffee houses, music halls, and humor
magazines to uncover the enormous influence of assimilated Jews in
creating modernist Budapest between 1867 and 1914. She explores the
paradox of Budapest in this era: because much of the Jewish
population embraced and promoted a secular, metropolitan culture,
their influence as Jews was both profound and invisible.
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