This image-filled book features outstanding works of Luba art from
the Democratic Republic of Congo. Major themes to be addressed
include the role of visual and performance arts in Luba traditional
politics; the symbolism of the female image and why 'the king is a
woman' for Luba; the instrumentality of royal insignia in politics,
problem-solving, and healing; and the use of art objects in the
creation and transmission of historical knowledge in both the Luba
heartland and its peripheries. Case studies from the authors' long
research among Luba, Tabwa, and related peoples of the Congo will
illuminate the complex philosophical underpinnings of Luba thought
and visual expression.
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