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Projecting Tolkien's Musical Worlds (Paperback)
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Projecting Tolkien's Musical Worlds (Paperback)
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Explaining the meaning or affect of a piece of music is by no means
an easy task. However, some success has been found through the work
of Philip Tagg, whose technique consists of breaking down a musical
example into minimal units of musical meaning (called musemes),
comparing those units to other musical examples possessing
sociomusical connotations, and demonstrating a transfer of musical
affect from the music possessing sociomusical connotations to the
object of analysis. This work expands Tagg's techniques in an
attempt to analyze the musical affect of Howard Shore's film score
for The Lord of the Rings Trilogy. After a discussion of J.R.R.
Tolkien's description of the cultures of the inhabitants found in
Middle-earth, this work dissects the thematic material of Shore's
score, focusing on his incorporation of the music and culture of
Tolkien's text into his film score through instrumentation and
style, as well as utilizing musematic analysis to argue the musical
affect of Shore's major themes that is projected on the audience.
This book is directed toward any individual, musician or film
enthusiast, who appreciates the ability for a film score to
heighten the overall movie experience.
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