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Images of Black Modernism - Verbal and Visual Strategies of the Harlem Renaissance (Paperback)
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Images of Black Modernism - Verbal and Visual Strategies of the Harlem Renaissance (Paperback)
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Focusing on the years from 1922 to 1938, this book revisits an
important moment in black cultural history to explore how visual
elements were used in poems, novels, and photography to undermine
existing stereotypes. Miriam Thaggert identifies and analyzes an
early form of black American modernism characterized by a
heightened level of experimentation with visual and verbal
techniques for narrating and representing blackness. The work of
the writers and artists under discussion reflects the creative
tension between the intangibility of some forms of black
expression, such as spirituals, and the materiality of the body
evoked by other representations of blackness, such as "Negro"
dialect. By paying special attention to the contributions of
photographers and other visual artists who have not been discussed
in previous accounts of black modernism, Thaggert expands the scope
of our understanding of the Harlem Renaissance and contributes to a
growing recognition of the importance of visual culture as a
distinct element within, and not separate from, black literary
studies. Thaggert trains her critical eye on the work of James
Weldon Johnson, Nella Larsen, George Schuyler, Carl Van Vechten,
James Van Der Zee, and Aaron Siskind--artists who experimented with
narrative and photographic techniques in order to alter the
perception of black images and to question and reshape how one
reads and sees the black body. Examining some of the more
problematic authors and artists of black modernism, she challenges
entrenched assumptions about black literary and visual
representations of the early to mid twentieth century. Thaggert
concludes her study with a close look at the ways in which Harlem
and the Harlem Renaissance were reimagined and memorialized in two
notable texts--Wallace Thurman's 1932 satire Infants of the Spring
and the Metropolitan Museum of Art's controversial 1969 exhibition
"Harlem on My Mind: The Cultural Capital of Black America,
1900-1968."
General
Imprint: |
University of Massachusetts Press
|
Country of origin: |
United States |
Release date: |
November 2010 |
First published: |
November 2010 |
Authors: |
Miriam Thaggert
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Dimensions: |
229 x 152 x 20mm (L x W x T) |
Format: |
Paperback
|
Pages: |
256 |
ISBN-13: |
978-1-55849-831-0 |
Categories: |
Books >
Social sciences >
General
Promotions
|
LSN: |
1-55849-831-1 |
Barcode: |
9781558498310 |
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