The work of the Chinese artist Jia Aili (*1979 in Liaoning)
possesses an unparalleled intensity. Whether reflecting on China's
inauguration of the atomic bomb or the first satellites in 1970,
the theme of Aili's oil paintings is the dramatic transformation of
Chinese society over the past 50 years. The works simultaneously
also convey a feeling of wonderment and fascination for the
achievements and new possibilities that technological progress
offers. It is a feeling Aili has particularly developed in his
apocalyptic-seeming desert landscapes, which only allow space for
isolated masked figures, usually astronauts. The monograph
documents Aili's exhibitions over the past 10 years and shows the
young Chinese artist's disparate sources of inspiration with the
aid of discussions of individual works.
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