Romantic poets, notably Wordsworth, Blake, Coleridge and Keats,
were deeply interested in how perception and sensory experience
operate, and in the connections between sense-perception and
aesthetic experience. Noel Jackson tracks this preoccupation
through the Romantic period and beyond, both in relation to late
eighteenth-century human sciences, and in the context of momentous
social transformations in the period of the French Revolution.
Combining close readings of the poems with interdisciplinary
research into the history of the human sciences, Noel Jackson sheds
light on Romantic efforts to define how art is experienced in
relation to the newly emerging sciences of the mind and shows the
continued relevance of these ideas to our own habits of cultural
and historical criticism today. This book will be of interest not
only to scholars of Romanticism, but also to those interested in
the intellectual interrelations between literature and science.
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