Asserting that Coetzee's representation of the body as subject to
dismemberment counters the colonial representation of the other's
body as exotic and erotically-charged, this study inspects the
ambivalence pertaining to Coetzee's embodied representation of the
other and reveals the risks that come with such contrapuntal
reiteration. Through the study of the narrative identity of the
colonial other and her/his body's representation, the book also
unveils the author's own authorial identity exposed through the
repetitive narrative patterns and characterization choices.
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