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There is no such thing as a spirit in the stone! Misrepresentations of Zimbabwean Stone Sculpture - An Anthropological Approach (Paperback)
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There is no such thing as a spirit in the stone! Misrepresentations of Zimbabwean Stone Sculpture - An Anthropological Approach (Paperback)
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This work focuses on contemporary Zimbabwean Stone Sculpture -
widely known until the early 1990s as Shona Sculpture - from the
perspective of a critical anthropological analysis of cultural
identity and representation. The analysis frames the inception of
this art movement within the colonial socio-historical
circumstances of its genesis, where discourse about the producers
of this art form (Shona discourse) was created. Drawing from the
social context of inequality and racial (spatial) segregation, and
from the concepts of the primitive in art and anthropology, the
author aims to show how Shona discourse entails a primitivist
construction of the Other (i.e., the sculptors' cultural identity)
that is directly linked to modernist primitivism. Shona discourse,
as a temporalising discourse, situates the producers of so-called
Shona sculpture in an extra-ordinary time, the time of primitive
myth, magic and cosmology, constituting in this sense a good
example of allochronic discourse. Originating within the colonial
politics and ideology of the 1960s, and contested by younger
generations of sculptors from the 1990s onwards, this discourse
was, paradoxically, appropriated by the cultural politics of
indigenisation during the early period of the post-independence
Zimbabwean State as part of its national identity and heritage.
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