Some women attack and harm men who abuse them. Social norms, law,
and films all participate in framing these occurrences, guiding us
in understanding and judging them. How do social, legal, and
cinematic conventions and mechanisms combine to lead us to condemn
these women or exonerate them? What is it, exactly, that they teach
us to find such women guilty or innocent of, and how do they do so?
Through innovative readings of a dozen movies made between 1928 and
2001 in Europe, Japan, and the United States, Orit Kamir shows that
in representing "gender crimes," feature films have constructed a
cinematic jurisprudence, training audiences worldwide in patterns
of judgment of women (and men) in such situations. Offering a novel
formulation of the emerging field of law and film, Kamir combines
basic legal concepts-murder, rape, provocation, insanity, and
self-defense-with narratology, social science methodologies, and
film studies. Framed not only offers a unique study of law and film
but also points toward new directions in feminist thought. Shedding
light on central feminist themes such as victimization and agency,
multiculturalism, and postmodernism, Kamir outlines a feminist
cinematic legal critique, a perspective from which to evaluate the
"cinematic legalism" that indoctrinates and disciplines audiences
around the world. Bringing an original perspective to feminist
analysis, she demonstrates that the distinction between honor and
dignity has crucial implications for how societies construct women,
their social status, and their legal rights. In Framed, she
outlines a dignity-oriented, honor-sensitive feminist approach to
law and film.
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