Grainger's extraordinary work, subtitled "music to an imaginary
ballet," was prompted by a request from the English conductor
Thomas Beecham to compose a ballet score for the Diaghilev company.
The commission never materialized, but Grainger nevertheless
proceeded to create a his most adventuresome work to date -
employing a large orchestra with an expanded percussion section and
three pianos, requiring three conductors for coordination. The
world premiere for the now imaginary ballet took place in December
1919, with the composer on a piano plus the Chicago Symphony
conducted by Frederick Stock. The new, digitally-enhanced study
score offered here has been reproduced from the "compressed full
score" issued in 1926 under the composer's name by B. Schott's
Sohne, Mainz.
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