The New Milton Criticism seeks to emphasize ambivalence and
discontinuity in Milton's work and interrogate the assumptions and
certainties in previous Milton scholarship. Contributors to the
volume move Milton's open-ended poetics to the centre of Milton
studies by showing how analysing irresolvable questions -
religious, philosophical and literary critical - transforms
interpretation and enriches appreciation of his work. The New
Milton Criticism encourages scholars to embrace uncertainties in
his writings rather than attempt to explain them away. Twelve
critics from a range of countries, approaches and methodologies
explore these questions in these new readings of Paradise Lost and
other works. Sure to become a focus of debate and controversy in
the field, this volume is a truly original contribution to early
modern studies.
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