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Gunfight at the Eco-Corral - Western Cinema and the Environment (Paperback)
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Gunfight at the Eco-Corral - Western Cinema and the Environment (Paperback)
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Most film critics point to classic conflicts - good versus evil,
right versus wrong, civilization versus savagery - as defining
themes of the American Western. In this provocative examination of
Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray
and Joseph K. Heumann argue for a more expansive view that moves
beyond traditional conflicts to encompass environmental themes and
struggles. The environment, after all, is the fundamental stage for
most western stories, from land rush dramas that pit ""sod
busters"" against ranchers to conflicts between mining-town
communities and corporations. Because environmental issues lie at
the forefront of so many conflicts today, Murray and Heumann
believe that the Western is ripe for such new examination. Drawing
on perspectives from both film studies and environmental history,
the authors show how western films frequently deal with issues
related to land use and different ways of looking at the natural
world. In films as diverse as Gene Autry musicals, early John Wayne
B-Westerns, and revisionist critiques such as the 2010 remake of
True Grit, resources are exploited in the name of progress.
Beginning with an analysis of two iconic Westerns, Shane and The
Searchers, Murray and Heumann identify the environmental
dichotomies - previously overlooked by critics - that are broached
in both films, and they clarify the history that lies behind the
environmental debates in these films and many others. How do
Westerns respond to the historical contexts they present? And what
do those responses suggest about American views of nature and its
exploitation? The conflicts these movies address grow out of
differing views of progress, frequently in relation to technology.
The authors show that such binary oppositions tend to blur when
examined closely, demonstrating that environmental issues are often
more complex than we realize.
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