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The Collage Aesthetic in the Harlem Renaissance (Hardcover, New Ed)
Loot Price: R4,666
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The Collage Aesthetic in the Harlem Renaissance (Hardcover, New Ed)
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Beginning with a subtle and persuasive analysis of the cultural
context, Farebrother examines collage in modernist and Harlem
Renaissance figurative art and unearths the collage sensibility
attendant in Franz Boas's anthropology. This strategy makes
explicit the formal choices of Harlem Renaissance writers by
examining them in light of African American vernacular culture and
early twentieth-century discourses of anthropology, cultural
nationalism and international modernism. At the same time,
attention to the politics of form in such texts as Toomer's Cane,
Locke's The New Negro and selected works by Hurston reveals that
the production of analogies, juxtapositions, frictions and
distinctions on the page has aesthetic, historical and political
implications. Why did these African American writers adopt collage
form during the Harlem Renaissance? What did it allow them to
articulate? These are among the questions Farebrother poses as she
strives for a middle ground between critics who view the Harlem
Renaissance as a distinctive, and necessarily subversive, kind of
modernism and those who foreground the cooperative nature of
interracial creative work during the period. A key feature of her
project is her exploration of neglected connections between
Euro-American modernism and the Harlem Renaissance, a journey she
negotiates while never losing sight of the particularity of African
American experience. Ambitious and wide-ranging, Rachel
Farebrother's book offers us a fresh lens through which to view
this crucial moment in American culture.
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