Culture and Consensus, first published in 1995 and a revised
edition in 1997, explores the history of the relationship between
politics and the arts in Britain since 1940, and shows how the
search for a secure sense of English identity has been reflected in
official and unofficial attitudes to the arts, architecture,
landscape and other emblems of national significance. Illustrating
his argument with a series of detailed case histories, Robert
Hewison analyses how Britain's cultural life has reached its
present enfeebled condition and suggests a way forward. This book
will be of interest to students of art and cultural studies.
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