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Notorious Muse - The Actress in British Art and Culture 1776-1812 (Hardcover, New) Loot Price: R1,297
Discovery Miles 12 970
You Save: R69 (5%)
Notorious Muse - The Actress in British Art and Culture 1776-1812 (Hardcover, New): Robyn Asleson

Notorious Muse - The Actress in British Art and Culture 1776-1812 (Hardcover, New)

Robyn Asleson

Series: Studies in British Art, 11

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List price R1,366 Loot Price R1,297 Discovery Miles 12 970 | Repayment Terms: R122 pm x 12* You Save R69 (5%)

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In this interdisciplinary volume of essays, historians of art, literature, dress and theatre examine the impact of the actress on British art and culture of the Georgian era. the profession, female performers are shown to have played a vital and hitherto under-appreciated role in the artist's studio, forging fruitful collaborations with the leading artists of their day and becoming nearly as influential in the studio as they were on the stage. Acting as models, muses and patrons, the actress inspired a remarkable proliferation of images in which issues of theatricality, sexuality, and social mobility were explored in a manner impossible in depictions of more respectable women. theatrical profession to Sarah Siddons, Tragic Muse. Jonathan Bate explores the personal, professional and pictorial factors that entrenched Siddons's identification with Shakespearean tragedy and Dorothy Jordan's with comedy. Several essays, by Gill Perry, Aileen Ribeiro, Frederick Burwick and Shearer West, analyse the presentation and reception of the actress's body: its role as a living and as a painted work of art; the relationship between femininity and professional status; the strategic deployment of dress on- and off-stage; and the function of theatrical gesture in performance and on canvas. Heather MacPherson traces the subversive use of caricature to desecrate the revered idols of the stage, and Joseph Roach the emergence of the cult of celebrity. actress was in transition at this period. The growing professionalism of the female performer, along with her greater social mobility, financial sufficiency and creative autonomy, began to supplant - though not entirely erase - her time-honoured reputation as a sexual object.

General

Imprint: Yale University Press
Country of origin: United States
Series: Studies in British Art, 11
Release date: July 2003
First published: July 2003
Editors: Robyn Asleson
Dimensions: 254 x 178 x 24mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 232
Edition: New
ISBN-13: 978-0-300-10005-1
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > Performing arts > Individual actors & performers
Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Humanities > History > World history > 1750 to 1900
Books > Humanities > History > British & Irish history > General
Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
Books > History > British & Irish history > General
Books > History > World history > 1750 to 1900
LSN: 0-300-10005-1
Barcode: 9780300100051

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