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Gillian Wearing and Claude Cahun - Behind the mask, another mask (Hardcover)
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Gillian Wearing and Claude Cahun - Behind the mask, another mask (Hardcover)
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Claude Cahun and Gillian Wearing came from different backgrounds
and were living in different times - about a century apart. Cahun,
along with her contemporaries Andre Breton and Man Ray, belonged to
the French Surrealist movement although her work was rarely
exhibited during her lifetime. Together with her female partner,
the artist and stage designer Marcel Moore, Cahun was imprisoned in
German-occupied Jersey during the Second World War as a result of
her role in the French Resistance. Wearing trained at Goldsmiths
and became part of the Young British Artist movement, winning the
Turner Prize in 1997. She has exhibited extensively in the UK,
including at the Whitechapel Gallery, and overseas, most recently
at the IVAM in Valencia. Despite their different backgrounds,
obvious parallels can be drawn between the artists: they share a
fascination with identity and gender, which is played out through
performance, and both use masquerade and backdrops to create
elaborate mis-en-scene. Wearing has referenced Cahun overtly in the
past: Me as Cahun Holding a Mask on My Face is a reconstruction of
Cahun's self-portrait of 1927, and forms the starting point of this
exhibition. In this book, Sarah Howgate, who has worked closely
with Wearing, examines the self -portrait work of both artists,
investigating how the cultural, historical, political and personal
context affects their interpretation of similar themes. The book
includes reproductions of over 100 key works, presented in thematic
sections including Artistic Evolution, Performance, Masquerade and
Momento Mori, accompanied by a commentary. The last section
features new work s by Wearing: a 'collaboration' (of sorts) with
Cahun. The book also includes a revealing interview with Wearing by
Howgate and an illuminating essay on Cahun by writer and curator
Dawn Ades.
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