Challenging the view that the fifteenth century was the "Drab
Age" of English literary history, Seth Lerer seeks to recover the
late-medieval literary system that defined the canon of Chaucer's
work and the canonical approaches to its understanding. Lerer shows
how the poets, scribes, and printers of the period constructed
Chaucer as the "poet laureate" and "father" of English verse.
Chaucer appears throughout the fifteenth century as an adviser to
kings and master of technique, and Lerer reveals the patterns of
subjection, childishness, and inability that characterize the
stance of Chaucer's imitators and his readers. In figures from the
"Canterbury Tales" such as the abused Clerk, the boyish Squire, and
the infantilized narrator of the "Tale of Sir Thopas," in the
excuse-ridden narrator of "Troilus and Criseyde," and in Chaucer's
cursed Adam Scriveyn, the poet's inheritors found their oppressed
personae. Through close readings of poetry from Lydgate to Skelton,
detailed analysis of manuscript anthologies and early printed
books, and inquiries into the political environments and the social
contexts of bookmaking, Lerer charts the construction of a Chaucer
unassailable in rhetorical prowess and political sanction, a
Chaucer aureate and laureate.
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