This comparative study, the first of its kind, discusses
paradise discourse in a wide range of writing from Mexico,
Zanzibar, and Sri Lanka, including novels by authors such as
Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak
Gurnah, and Romesh Gunesekera. Tracing dialectical tropes of
paradise across the "long modernity" of the capitalist
world-system, Deckard reads literature from postcolonial nations in
context with colonial discourse in order to demonstrate how
paradise begins as a topos motivating European exploration and
colonization, shifts into an ideological myth justifying imperial
exploitation, and finally becomes a literary motif used by
contemporary writers to critique neocolonial representations and
conditions in the age of globalization.
Combining a range of critical perspectives cultural materialist,
ecocritical, and postcolonial the volume opens up a deeper
understanding of the relation between paradise discourse and the
destructive dynamics of plantation, tourism, and global capital.
Deckard uncovers literature from East Africa and South Asia which
has been previously overlooked in mainstream postcolonial
criticism, and gestures to how the utopian dimensions of the
paradise myth might be reclaimed to promote cultural
resistance."
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