A major reassessment of Surrealism which explores the concept of
'visuality' applied to one of the twentieth century's most exciting
cultural movements. Leading international scholars present the
latest research on Surrealism in all its forms, including painting,
film and automatism. The contributions included here cover the work
of Dali, Picasso, Ernst, Magritte, Maddox, Breton, Artaud, Fondane
and Masson. Broad-ranging and innovative in its approach, this book
is an invaluable resource for all art and cultural historians.
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