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A Phenomenology of Musical Absorption (Hardcover, 1st ed. 2018)
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A Phenomenology of Musical Absorption (Hardcover, 1st ed. 2018)
Series: New Directions in Philosophy and Cognitive Science
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This book presents a detailed analysis of what it means to be
absorbed in playing music. Based on interviews with one of the
world's leading classical ensembles, "The Danish String Quartet"
(DSQ), it debunks the myth that experts cannot reflect while
performing, but also shows that intense absorption is not something
that can be achieved through will, intention, prediction or
planning - it remains something individuals have to be receptive
to. Based in the phenomenological tradition of Husserl and
Merleau-Ponty as well as of Dan Zahavi and Shaun Gallagher, it lays
out the conditions and essential structures of musical absorption.
Employing the lived experience of the DSQ members, it also engages
and challenges core ideas in phenomenology, philosophy of mind,
enactivism, expertise studies, musical psychology, flow theory,
aesthetics, dream and sleep studies, psychopathology and social
ontology, and proposes a method that integrates phenomenology and
cognitive science.
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