From the novels of Toni Morrison to the music of Beyonc?
Knowles, the cultural prevalence of a transnational black identity,
as created by African American women, is more than a product of
geographic mobility. Rather, as author Simone C. Drake shows, these
constructions illuminate our understanding of a chronically
marginalized demographic. In Critical Appropriations, Drake
contends that these fluid and hetero-geneous characterizations of
black females arise from multiple creative outlets -- literature,
film, and music videos -- and reflect African Ameri-can women's
evolving concept of home, community, gender, and family.
Through a close examination of Toni Morrison's Paradise, Danzy
Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's
Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyonc?
Knowles's B-Day album and music-video collaboration with Shakira,
"Beautiful Liar," Drake reveals how concepts of hybridity --
whether positioned as cr?olit?, Candombl?, n?gritude, Latinidad, or
Brasilidade -- are appropriated in each work of art as a way of
challenging the homogeneous paradigm of black cultural studies.
This redefined notion of identity enables African American women to
embrace a more complex, transnational blackness that is not only
more liberating but also more pertinent to their experiences.
Drawing from this borderless exchange of ideas and a richer
concept of self, Critical Appropriations offers a rewarding
reconsideration of the creative implications for African American
women, mapping new directions in black women's studies.
General
Imprint: |
Louisiana State University Press
|
Country of origin: |
United States |
Series: |
Southern Literary Studies |
Release date: |
May 2014 |
First published: |
May 2014 |
Authors: |
Simone C Drake
|
Dimensions: |
216 x 140 x 20mm (L x W x T) |
Format: |
Hardcover - Paper over boards / With dust jacket
|
Pages: |
200 |
ISBN-13: |
978-0-8071-5387-1 |
Categories: |
Books >
Social sciences >
General
|
LSN: |
0-8071-5387-7 |
Barcode: |
9780807153871 |
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