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Invisible Terrain - John Ashbery and the Aesthetics of Nature (Hardcover)
Loot Price: R2,865
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Invisible Terrain - John Ashbery and the Aesthetics of Nature (Hardcover)
Series: Oxford English Monographs
Expected to ship within 12 - 17 working days
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In his debut collection, Some Trees (1956), the American poet John
Ashbery poses a question that resonates across his oeuvre and much
of modern art: 'How could he explain to them his prayer / that
nature, not art, might usurp the canvas?' When Ashbery asks this
strange question, he joins a host of transatlantic
avant-gardists-from the Dadaists to the 1960s neo-avant-gardists
and beyond-who have dreamed of turning art into nature, of creating
art that would be 'valid solely on its own terms, in the way nature
itself is valid, in the way a landscape-not its picture-is
aesthetically valid' (Clement Greenberg, 1939). Invisible Terrain
reads Ashbery as a bold intermediary between avant-garde
anti-mimeticism and the long western nature poetic tradition. In
chronicling Ashbery's articulation of 'a completely new kind of
realism' and his engagement with figures ranging from Wordsworth to
Warhol, the book presents a broader case study of nature's dramatic
transformation into a resolutely unnatural aesthetic resource in
20th-century art and literature. The story begins in the late 1940s
with the Abstract Expressionist valorization of process, surface,
and immediacy-summed up by Jackson Pollock's famous quip, 'I am
Nature'-that so influenced the early New York School poets. It ends
with 'Breezeway,' a poem about Hurricane Sandy. Along the way, the
project documents Ashbery's strategies for literalizing the 'stream
of consciousness' metaphor, his negotiation of pastoral and
politics during the Vietnam War, and his investment in 'bad' nature
poetry.
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